Sunday, 15 July 2018

Furui Hanmā: A Journey to the East. Part One



It has been a truth long acknowledged by Oldhammerists that the Warhammer World was cobbled out of Citadels existing historical and fantasy miniatures ranges, rather than created out of whole cloth. It weaves in elements such as Araby, Cathay and Nippon, not because there was some grand underlying world building motive, but simply because Citadel made miniatures of historical Arabian and Oriental figures, and Ye Olde Warhammer was ultimately designed as a marketing tool to sell them.

Early in 2018 Gideon over on Awesome Lies blog completed a series of excellent blog-posts covering the Warhammer Japan proxy "Nippon", covering ground such as the cultural milieu of late 70s early 80s japanomania Hai-Karate and Bruce-Lee movies, considering the published written sources on Nippon, from Warhammer 2nd Edition, Ravening Hordes, WFB3 and WFRP moving reviewing Dave Morris's excellent 'but not quite Warhammery enough' Tetsubo, to speculating what a successful WFRP1e Nippon could have been like.

This inspired me to examine the sculptural and visual sources, and consider what they might tell us about The East in early Warhammer, and perhaps describe However, there turned out to be a much, much larger quantity of Oriental based miniatures over a far greater period of time than I'd expected, roughly a five years worth of releases. Then in May Nico completed his massive and excellent Nippon Army, once again prompting me to revisit the East,  but still, no and more recently Whiskey Priest wrote up two excellent blogposts on Nippon, which again made me think I should really get this done, but the whole thing was too big and messy. So time to chop it up into manageable chunks.

In this first post, we focus on the Pre-Warhammer Citadel miniatures starting in 1982, and those released throughout the publication of the first edition of Warhammer (1983), with a slight reference to Forces of Fantasy (1984). These lay the foundations of the portrayal of Far Eastern themes in Warhammer, setting down some of the basic principles that are adhered to throughout it's development.

Fantasy Tribe Samurai (1982)

Orcs Vs. Samurai | Flyer 1982


The first set of miniatures we meet is one of the historical ranges that Citadel produced in the early 80s. Sculpted by Michael and Alan Perry, described as from the 16th Century Momoyama period. the 'Fantasy Tribe' Samurai. This is something of a misnomer, they are catalogued elsewhere as just SAM Samurai, there are foot Samurai, Ashigaru (including one armed with an Tanegashima) as well as horse-mounted Samurai and a pair of Warrior Monks who resemble the Japanese Sohei Buddhist Warriors.

The Sōhei - Saito Musashibō Benkei
The flyer clearly juxtaposes the Samurai against the Scimitar and pole-arm wielding Orcs. The drawings are posed facing each other as if opposing sides in a conflict and the overall effect is situating the historical Samurai into a fantasy milieu, perhaps an Orcish invasion of 16th Century Japan, or a re-staging of The Battle of the Pelennor Fields from The Lord of the Rings taking place outside Osaka Castle. The Samurai simply replace or stand in for the traditional enemies of the Orcs.

As we will see, this mixture of Oriental and Western Fantasy themes will dominates much of the development and presentation of The East.

FA12: Fantasy Adventurers Ninja (1982)


FA12 Ninja!

Ninjas turning up in Citadels range of models is most probably in response to the appearance of the Assasin class in Advanced Dungeons and Dragons (1978), and here there is no doubt that the FA12 Ninja is being presented as a Fantasy Adventure gaming miniature, and not as a historicals gaming piece.

Ninja themselves walk a curious tightrope between historical fact and folkloric fiction. While assassins and spies certainly existed in feudal Japan, they would have typically been dressed in common garb so as to blend in with the people. The classic image of the figure in black garb may have come from “kuroko” - the stage-hands of Japanese Kabuki theatre, whose costumes rendered them 'invisible' on stage - and so their appearance became a visual short-hand for 'sneaky git' used by illustrators, rather than a historically accurate depiction of what Ninja may have actually worn.

Hokusai | 1817

Nonetheless, what the FA12 Ninja, hidden in plain sight amongst his fellow pseudo-medieval adventurers indicates is this mixture of eastern and western tropes, a motif we find yet again with our next model, Yamato Takashi.

Bryan Ansell's Heroic Adventurers: Yamato Takashi (1983)

Yamato Takashi | Bryan Ansell | 1983

Yamato Takashi | Heroic Adventurers Box insert
It is notable that while the first edition of Warhammer makes mention of "Medieval and Dark Age wamiors together with Arab types and fearsome Vikings." other than a small crop of the FTO/SAM advert used as an illustration for the 'Combat' section,  no mention of Oriental or Far East appears at all.

However, shortly after the publication, of Warhammer Citadel released a boxed set of miniatures entitled Bryan Ansell's Heroic Adventurers, sculpted, unsurprisingly by Bryan Ansell. This set included an insert of rules sheet for the then brand new Warhammer game. Amidst the Elric clones and pseudo-medieval tropes of early 80s fantasy, there is a Samurai. Yamato Takashi, making him the first published explicitly Warhammer Oriental . He has an authentic sounding name, Yamoto being the name for a region, dynasty, period and ethnic subgroup of Japanese and Takashi, in some writings meaning 'Samurai', indicating him as something of an archetype. This almost authentic naming strategy later gives way to the puns and historical references that early Warhammer is infamous for.

C05 Specialists: Martial Arts Monks (1983)

Like the FA12 Ninja model, filled a niche in the Assasin character class, the C05 Martial Arts Monk miniatures are likely to have been designed to meet the gaming requirements of the Monk character class in Advanced Dungeons and Dragons Players Handbook. 
C05 Specialists | Martial Arts Monks
As with the Samurai range, there are a few that resemble Sōhei, with their face coverings, at least one of which seems to be a SAM Warrior Monk  but with a slightly larger axe possibly remodelled due to casting or breakage issues, while the majoirty seem to be based on the tunic, trousers and shaved head of the Chinese Shaolin. 

Shaolin Monk

Considerable years before Quentin Tarrentino finally materialised Fox Force Five  in Pulp Fiction as the Deadly Viper Assassin Squad in Kill Bill vol. 1, Citadel were headlining an all-star all-female action Chopsocky  sub-range of miniatures in the C05 Mistresses of the Martial Arts in the First Citadel Journal.

Mistresses of the Martial Arts | Citadel Journal



 
Deadly China Doll |1973

The appearance of one of these Female Kung-fu artists continues through both illustration and advertising, turning her into something of a recurring Iconic Character for early Warhammer in the same way Riolta Snow or Gotrek and Felix will come to the fore in their respective generations.

May 1983 Flyer | Tony Ackland | I kung-fu the Nazgul in the face
Like with the Fantasy Tribe Samurai vs. Orcs flyer from 1982, the May 1983 flyer we see an 'oriental' character - the female martial arts monk fighting traditional Tolkienesque Dungeons and Dragons type monsters, this time being the robed and hooded Nazgul on a desolate hillside in a scene reminiscent of the Battle of Weathertop from J.R.R. Tolkien's The Lord of the Rings, where a Ranger and Four Halflings stand their ground against undead spirits, and it's hard to imagine that reference wasn't the original intent.

David Carridine | Kung Fu | 1972

Our female martial artist is somewhat reminiscent of David Carradine in the  early 70s tv-series Kung Fu in which a Shaoling monk of American-Chinese parentage travels across 19th Century America in search of his long lost brother. This theme, of a hero being trained in the Martial Arts in the 'east' then heading to distant western lands is by now a common trope in genre fiction, influencing everything from the 1970s Iron Fist to the 2010s Batman

Conversely it is possible to imagine Ringwraiths, Elves and Zombies could be fighting in the ruins of an ancient ruined Shaolin temple, it's hard to distinguish the architectural style from ruined masonry, but I think it's safe to say there are no self-conciously Oriental references being made in the images architecture or scenery.

Martial Arts Monk, with crossbow | Forces of Fantasy | Tony Ackland (1984)

The same Female Martial Arts Specialist also appears in Forces of Fantasy (1984) in the image above, of a medieval, 1960s style Robin Hood out-shot by our top-knot wearing, be-tunicked female assasin-monk. The trees and foliage don't seem particularly Far Eastern, so read it as a European fantasy landscape. The image is quite amusing on a number of levels, one is that he bowman is the exact same fellow used to illustrate the Shooting section in Warhammer 1st Edition, here being given his come-uppance in the Return Fire section of Forces of Fantasy.

Again, I have to say Tony Ackland is second to none for building these kind of narratives into his imagery, I don't know of any illustrator from the early 80s who really brings tabletop rules to life in such an effortless way, it's not just fantasy art, but fantasy art about gaming. There is also some irony in Robin Hood, folk hero fabled bowman of Ye Olde England being out by a female Eastern Martial Artist with a crossbow pistol, symbolically killing off the old well worn fairy-tale, usering in a new dynamic era of Fantasy!

Conclusion

Before wrapping up what this means for Warhammer, it should be noted that the East-meets-West themes are by no means unique to the Citadel ouvre in this period. In AD&D kung-fu monks, Ki-Rin, Ogre Mages and Samurai Hobgoblins in lamellar armour rub shoulders with Orcs, Elves and Dragons,  and fan-made classes for the Ninja and Samurai in D&D appeared very quickly in the mid 1970s. Citadels ranges were designed to meet this demand from fantasy gamers, as much as they were to provide historical wargamers with suitable miniatures.

To summarise we have miniatures:
  • Samurai
  • Ashigaru
  • Tanegashima
  • Sōhei Monks
  • Shaolin Monks
  • Mistresses of Martial Arts
  • Ninja
Then if we examine the relationships with other factions they are portrayed alongside:
  • Samurai Armies fight Tolkienesque Orc Armies.
  • Samurai allied with medieval fantasy adventurers.
  • Samurai fight against Chaos Marauders
  • Ninja appear alongside medieval fantasy adventurers.
  • Shaolin Monks fight against Tolkienesque Undead.
  • Shaolin Monks allied with Tolkienesque Elves and Rogues.
  • Shaolin Monks kill Robin Hood.
  • Shaolin Monks can be male or female.
  • Oriental types appear in Western Landscapes.
  • Western types do not appear in Oriental Landscapes.
There is a clear direction being set here, the Orientals, Samurai, Monks, Ninja are allied with the traditionally Lawful / Good tolkienesque tropes fighting against the monstrous Chaotic / Evil Undead, Orcs, and Chaos, and also the chaotic-good Robin Hood, they are Heroes and Adventurers, not monsterous.

If we extrapolate from that idea, the very early Warhammer world is one in which Questing Knights are perhaps just as likely to be fighting great Yokai as Samurai are to be found defending isolated villages against marauding bands of Orcs, where Mistresses of the Martial Arts rally Wood Elves against the sorcerous powers of the Undead, and Ninja are sent against the daemonic servants of Chaos.  This is perhaps a world where global travel, while fraught with danger, excitement, and adventure, is much more common than the historical analogue at a similar point of technological development, and the fantasy gaming possibilities that such a milieu afford are ripe for development.

Overall, the idea that Fantasy in general, and Warhammer in particular of the early 80s was primarily concerned with reproducing a Pseudo-Medieval Fantasy Europe is evidentially mistaken, no doubt some groups of players took that stance, the attitude at Games Workshop and Citadel evidences a much broader pallet of references.

Next Time, on Furui Hanmā: A Journey to the East... It's 1984, and everything explodes. C05 Specialists transmute into the C05 Oriental Heroes, there are strange new models, new boxed sets,  historical heroes figures emerging from the mists of time, and the grimacing face of Oriental Evil is revealed...

16 comments:

  1. I find that "lost" martial artist to be fascinating. Warhammer had an iconic female character long before such things became trendy, but she's disappeared. I wonder if she later popped up in a novel or bit of background fluff somewhere?

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    1. I know a lot of Warhammer writers like to sneak in old references here and there, but I'm not familiar enough with the material to know if she turns up again. I think a crop of the advert artwork gets used as filler somewhere, but can't think where.

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  2. Don't forget Talisman had some good non-European figures too, though not strictly Warhammer, but in the same style. There was the Ninja, Samurai, Martial Artist, Zulu, Saracen and Witch-Doctor, from memory.

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    1. Good call! If I remember correctly the Talisman the Adventure art was by Citadel designer, Aly Morrison, who was responsible for most of the Oriental miniatures, so it definitely counts.

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    2. There's also the ninja by the name of Tori Jima from the DungeonQuest expansion 'Heroes for DungeonQuest'.

      ("Tori Jima" in Japanese translates to "Bird Island", I just discovered).

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    3. Though, that's from 1987, so I guess I'm seriously jumping the gun (or blowpipe) here.

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    4. Another good catch. Yes 1987 is a long, long way off, but I don't have Tori Jima in my current list, so thanks for pointing him out.

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  3. "The flyer clearly juxtaposes the Samurai against the Scimitar and pole-arm wielding Orcs."

    I have seen that image before in one of the main Warhammer Fantasy Battle rulebooks. I can't remember which one it is, but I think it might be 2E?

    It was actually very inspiring to me when I first saw it, as I was not sure who I should have my own collection of Samurai miniatures fight against in a fantasy setting.

    That picture made it very clear: orcs cause the same problems for all lawful peoples the world over!

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    1. I don't think the 1982 flyer artwork appears anywhere else, but if you can identify the source, do let me know.

      My take from the imagery is that the population of Orcs is just as evenly distributed as the population of 'oriental' types - whatever helps get some figures on the table and into battle. The grand narratives are there to be constructed by the players rather than dictated to by the campaign setting of the publisher.

      The alignment question (good/evil lawful/chaos) is one that crops up in the next post in the series. Seems a shame to bury it in a long post about Furui Hanmā as it definitely deserves it's own enquiry.

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    2. "The grand narratives are there to be constructed by the players rather than dictated to by the campaign setting of the publisher."

      Oh for sure; it just inspired me. I guess I liked the idea of Samurai fighting orcs.

      I found the source! It's Page 19 of Warhammer Fantasy Battle 1st Edition - Volume 1: Tabletop Battles , under the 'Combat' heading.

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    3. I hasten to add, it's only one section of the flyer artwork, the image in the bottom-right corner: two Samurai with katanas vs two orcs with polearms.

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    4. Well I never! I completely missed that one. Perhaps I mistakenly assumed they were Minifigs Hobgoblins, but Samurai they are.

      The noodle broth thickens.

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    5. For fun, I was thinking about setting up a little "micro-skirmish" where two Samurai with katanas face up against two orcs with pole-arms, just like the picture. But I just looked at the profiles of Samurai in Ravening Hordes - 38 points each! I think the outcome of that particular fight is a foregone conclusion.

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    6. Yeah, IIRC the presentation of Samurai are quite inconsistent across the board, from just slightly better humans right through to super-soldier. RH Samurai could comfortably take down Adeptus Astartes.

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  4. By the way, the "female martial arts monk vs Nazgul" image from the May 1983 flyer is also used again in Forces of Fantasy: Volume 1, page 43.

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    1. Good spot. Looks like Tony decided to fill in the background black and make it night-time to the 'dispersed in daylight' rules for the Undead.

      I guess her multiple appearance in FoF means our Mistresses of the Martial Arts has transformed a fully fledged Vim-to monk...

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