Showing posts with label female armour. Show all posts
Showing posts with label female armour. Show all posts

Tuesday, 6 December 2011

Female Armour: Grace Duval's Joan of Arc

An amazing suit of armour made from old bicycle tyres. Conjurers Fremen stilsuits, Hellraiser Cenobites, and a kind of Mad Max post-apocalyptic neo-medievalist aesthetic.

Grace Duval. Full set here.

Not sure quite how practical the armour may be, it is heavily decorative and the materials (cardboard and old bike tyres) won't stand up to much combat action - the design could possibly translated into hardened leather. There are some echoes of corsetry, and Elisabethan ruffles and frills which keep the the armour feminised.  Of course, bonus points are awarded to Duval for having seemingly welded two undeniably French artefacts - the Tour de France and Joan of Arc. The model (Emma ?) is porting nice warrior hair too.

Wednesday, 10 August 2011

Female Armour X: Snow White

Just a quickie - Kristen Stewart as Snow White, in full plate armour and carrying a shield.

Kirsten Stewart Armour | Schneewittchen


Realistic Full Plate. Yes!
Braided Hair. Yes!

It's early an publicity shot, so there is a chance things could change, but high praise to Colleen Atwood for this excellent design. If I rememver rightly Colleen also did Tim Burton's Alice, which also featured great armour. The hair is especially admirable, and something I was trying to portray with Elyandria. I also love the White Tree of Gondor device on her shield - I  hope the film shows it to be a work of dvergcraft.

Behind the scenes shot - hair let down.

Trailer

 

Kirsten Stuart Armour shots at 1:31 - still looking very nice, but they've gone with a more traditional, boring and feminising hair do. There's also some chintzy shots of the mirror looking like a Morbid Angel re-imaging of Terminator 2, only a lot less cool than the image those words might conjure. Be interesting  to see if they use the reflective property of full plate metal in a significant way.

With two Snow White movies and The Hobbit Part 1 in 2012, That's a lot of dwarven folk in the cinema next year.

Exit to: More Female armour posts

Tuesday, 8 March 2011

Female Armour: Chainmail II


Morguse, From BBC "Merlin". I'm not a follower of the Merlin TV series (all images borrowed from this blog). So don't have much to say about the character other than she is the young Arthurs half-sister.  The armour consists of 3 parts, 3/4 length chainmail tunic, plate collar, cowl, and arm plate armour. The wrapped up arms look kind of cool, the twists and turns on the piecemeal plate also nicely reflect the loose curls of the hair. I'm guessing she's a treacherous, twisty-turny kind of gal. However I'd be concerned about the angle the gauntlets pull away at creating weapon traps, alternatively, with her high-armed fighting style, they become almost like buckers, able to deflect blows away.

It's also a good example of how the heavy chain naturally straightens out feminine curves, a higher waistline on the belt might have been slightly more flattering  There are some fan-edited shots of the Moguse armour in action here (jump to 1:44) - it's also interesting to note that while Arthur spends almost his entire time wearing his plate / chain combo, Morguse's costumes are far more varied array of princess dresses. Back to the hair - it's interesting to note that given the opportunity, she remains fully helmeted, there are two reveal shots where Morgue removing her helmet frees her elaborately tongued (and half braided!) curls - followed by shots that look like characters being shocked that she's a girl who kicks ass.  Not totally relevant, but I have a strong dislike of Emilia Fox and her two facial expressions as an actress.

NOTE: there was an image of Morguse on a horse, wearing baggy trousers, but it's gone now...

Surely chopping Morguses legs off while she's on the horse would be the first thing to happen, with no split in the chainmail tunic, it rides up exposing the trousered  leg. I'd be suggesting Elmore pay attention, at this point, but are blue denim trousers really any more protection to sword attacks than a bare thigh? No.

Also I don't mean to go all Gok Wan, but raising the belt would create a much more flattering cut. See below:
Alexander Wang Chainmail Sweater (from 2009) | Laurenn @ chictopia
Yes, that's a real chainmail sweater-dress, not a cosplay or a LaRPer but a piece of clothing by an internationally known fashion designer. Unfortunately it's not actually metal, but, gosh. Very taken with the cuffs and hem having a different texture, nicely designed. It's also interesting that Laurenn, the girl wearing the jumper-dress does mention that it's very cold. Something for a theoretical adventurer to consider...

Tuesday, 18 January 2011

Female Armour II

OK. So here's some more sensible female fantasy armour research:

Leelee Sobieski "In the Name of the King". 

The overall effect is very nice, but the scalemail seems to have left the ladies neck and chest open to attack, which is strange seeing as the rest of the costume seems so remarkably well thought out. Especially the combat-ready hair, which is really nice to find after having ranted about it. Although this is obviously combination plate / scale-mail.
Leelee Sobieski: This was my second time wearing armour. When I filmed Joan of Arc I had to wear 60 pounds of metal. This armour was a lot lighter, and I even got the chance to help in its design. I wanted it to fall a certain way. It’s just as romantic for me to dress up in armour as it is to dress up in a period dress. As a woman, you don’t get many opportunities to put on armour.  From complex.com


 Leelee Sobieski as St. Joan

As Ms. Sobieski mentioned in her interview that The Name of the King was her second outing in armour, this is a picture of her first - as Joan of Arc. Like many other portrayals of women fighters in full plate armour, it is perfectly rational, except for the flowing locks, which provide an opportunity for an opponent to grab / yank and may get trapped in the armour. Otherwise there isn't much concession to femininity in the costume.


 Hilde von Krone (Soul Calibre IV)

Designed by Takuji Kawano. There are 'breast-shapes' moulded into the chest-plate, but not the extreme armour cleavage in typical fantasy armour that would cause weakness and render the armour useless. The legs are a slight concern in that I'm not sure a normal human could actually fit inside the armour, but then her head is disproportionally small (it's a 9 head figure, or would be if she were standing up straight), so maybe it's just a stylisation. Yet again, the hair provides the fatal flaw, as does the decorative necklace and braiding, the least said about the totally unarmoured crotch area the better. but otherwise a really elegant realistic female full plate.



Kelly Chen in An Empress and the Warriors 
(江山美人 / Jiang Shan Mei Ren)

Can anyone say C09 Dark Elf helmet? No, I mean really Citadel Dark Elf! Amazing. I think this would be classed as studded leather. Someone working in the costume dept. was a big fan of Citadel Miniatures dark elves, either that, or my ignorance of oriental armour means that I'd missed out on the references that the citadel miniatures designers were referencing. While the ornate, decorativeness might be seen to be quite feminine, the male armour has exactly the same level or elaboration, so with regards to signifying femininity, we're  only left with the face and the subtle female body shape.

For anyone reading this who doesn't have a clue what a citadel dark elf is, here's a CO9 pre-slotta classic witch elf:
 

More can be seen on the Collecting Citadel Miniatures wiki. I won't bother describing the armour here, suffice to say chain-mail and cleavage isn't very practical.








Thursday, 30 December 2010

Female armour

Women in armour. It's one of those things in fantasy art, it's generally more fetish fantasy than actual armour that's going to save your life in the midst of pseudo-medieval combat. So let's have some practical lady armour!

Model: Nicole Leigh Verdin. 
Armor: Patrick Thaden & Ugo Serrano. 
Photo: Gayle Patridge


Model: Grace Holley
Armor: Patrick Thaden & Ugo Serrano. 
Photo: Gayle Patridge

Same armour, two models. Thaden and Serrano have managed to signify the femininity of the body shape by making the torso quite hour-glass (neither of the photos particularly show that, so use the links!) However, there are some practical problems especially with the abdomen section, where the armour would catch and exacerbate impact from a puncturing or hooking weapon. Nonetheless, this is stunning work.


White Dwarf 87: Dragonlady by David Gallagher

Obligitary White Dwarf Cover. 'nuff said. Well, except that Gallagher has left a vulnerable thigh exposed. The chainmail skirt is a nice idea tho', as are the hip plates which emphasise the, erm, hips. In some ways this might be an answer or reaction to John Blanche's Amazonia Gothique, whose armour is slightly less practical, but both address the passive / victim role people commonly associate with women in fantasy imagery (although this perception probably isn't borne out by the facts).

Cate Blanchette as ER I in Elizabeth:The Golden Age
Costume Design  Alexandra Byrne

This is amazing armour, very smooth and sleek, looks like it would just swim through sword thrusts. The film is actually very entertaining, while Miranda Richardson may have turned in the definitive portrayal of the role, Cate does a very nice job of expressing Elizabeths inner thoughts. There are a couple of shots in the trailer.

Mia Wasikowska as Alice in Tim Burtons Alice in Wonderland

Never seen the film, and I'm not sure I want to, but this image is just nailed on. That is a D&D Paladin, saving the cute widdle wabbits from eeeevil. If that were a cover for a campaign book I'd buy it. Bunnies & Burrows & Dungeons & Dragons, ha!  The armour is very cool, especially the scale-mail skirt which is the main nod to femininity, along with the decorative fluting.  There is also the over the hip groove, which does give a more feminine line but I could see that carrying a blow towards the abdomen rather than away.  The gauntlets, however, look like ski gloves wrapped in bacofoil. In action here.
 Model: Natalia Vodianova
Photographer: Dinos Chapman

Harpers Bazaar (UK) Dec 2010 edition oh, and video Silly couture people forgot that you can get attacked from the left as well the right, oh well, never-mind! The cover pose is awesome, she should be holding a sword hilt or a crossbow rather than her wrists. The concept is nominally based on Joan of Arc, and shot at Battersea Power Station. It's great to see a medieval trope played out by near mainstream fashionistas. The costume itself seems to be all about folding and wrapping and unravelling, a kind of extreme layered look, which is feminine by virtue of the play it makes with the display or unveiling of the body, so whilst it is a product of womens media, it seems reactive to the male gaze yet ultimately about control of that gaze and power. However, the side that is armoured is realistically so, no moulded breasts, and where the costume leaps into decorative and fanciful, it is on the shoulder where the form is extended out from the body rather than
moulding or re-presenting it.

Now, these are all pretty great realistic armours. No cheesy breast holders (which would cause a weakness in the armour exactly where the heart is), all the vitals well armoured... but (you knew there was a but coming) - the hair

It makes no practical sense to have long hair in plate armour. Of course, aesthetically it still gets the feminine notes that are generally missing after having the body totally concealed in metal. The practical problems being that hair will get caught in the armour joints and yanked, another it's going to get caught by an assailant and pulled at. Sure one option is to go Goth-punk like the lady on WD cover, but not everyone's going to shave the sides of their heads to reduce grabbage, and the  punk aesthetic isn't right for all characters, and neither is the St. Joan boycut (in borrowed mans armour):



Actually that's just an excuse to google for pictures of Milla Jollovich, if an excuse were needed. Milla didn't make the armour selection section as she's effectively wearing mens armour, which is entirely probable and possible (most breast types are easily wrapped up tight to the chest, space doesn't actually need to be made for them in the armour - tho' the Thaden and Serrano is an excellent compromise on this) but here I'm more interested in the design of armour that still signifies (or conforms to models of) femininity rather than abandons them.
So, anyway, some other hair options:

Taylor Swift 'Love Story' Princess hair

I've no idea who Taylor Swift is, nor do I particularly care to find out, but assuming that hair-do can stand some faster and more vigorous action than moping around gazing out of an archway, it's a good, very girly (fairy princess prom queen) armour-hair option. more photos here. Hmm, tracked down the video and watched it (with the sound off), there are some cool scenes where she's kind of wandering around with a lantern which are quite oldschool D&D if taken out of context, and with a little imagine adding 10ft poll in her other hand, and a Beholder floating... ok, ok it takes quite a bit of imagination.





'Milkmaid braids' from Chanel. Something a little Third Reich Schoolmistress about it, a bit too clean. (Re)found here - the original blog I found this image on had some 'ballet bridal fashion' - and the high tightly scraped top-knot ballet style hair is another potential for armour hair, but it's got Dominatrix / Chav / Sporty Spice connotations I don't like the taste of. Personal opinion aside, Ballet-dancer is a aspirational meme for a lot of small girls, and signification around those memes isn't such a bad idea for a female figher.



"Loose Bun" by Kelli Acciardo from Seventeen, with instructions. Quick, easy, the kind of thing a warrioress might put together in a haste, especially if the bands were wrapped up braids.

The great thing about braids is that they naturally lend themselves to cultures which are already involved in knotwork, i.e. Northern European, la Tene influenced, Anglo Saxon, classic 'Tolkienesque' fantasy, they're thematically tied-in (pun intended).

So there you go, sensible, feminine, fantasy armour and hair.





Note: pretty ladies cause traffic spikes (yes that's over 10 times more traffic to this post than any other) since it was posted 5 days ago.  So there's an advert above!

And here's a couple adventuress miniatures in sensible armour, as sculpted by Tre' Manor:

Eivor the Beautiful, above who is a lightly armoured, ranger type, and Ingrior of Aelfheim, Swordmaiden  below who is a little more on the fighter class.

Whilst none are in full plate, and Eivor and Ingigor suffer from ETS (Elmore Thigh Syndrome, named one of the all-time great D&D fantasy artists Larry Elmore who frequently represents warrior ladies with exposed upper legs). Quite coincidentally, within days of this update Tre' released two human female fighter types both with fully covered limbs.

Vilhanna of the Shield

Ylvfriodr of Ulfrstadt



The cloaks / furs across the shoulders on Ylvfriodr will certainly prevent hair-trappage in armour joints. Although I fear Vilhanna might suffer.

These miniatures are available, along with some other amazing fantasy characters at the Red Box Games miniatures webstore.

Late update:     

Odysseus Osborne sent me this picture of Shannon wearing armour he's designed:

Shannon who is a fully trained HEMA Sword & Buckler fighter
"The armour based on the viking women's apron dress and made for use with a long dress, to cover the movements and signalling. It was found that if the tassets were sent longer to cover the knee, if becomes almost impossible to attack the lower leg as well, due to the severity of the angle of the sword." For me, practical concerns aside - the extended tassets (the long pieces handing down the leg) really help feminise the costume. More at: Odysseus gallery